According to the research that I have done although the Beggarstaffs Brothers were together for a few years and they were not much a success they still managed to transform the history of poster design with a series of bold, simple designs and by using flat images and silhouettes. The Beggarstaffs Brothers also introduced new techniques with colours and shapes by cutting them out then assembled the shapes into the composition. One can also notice that some shapes that were created implied lines that engaged viewers while they deciphered the image.
The Beggarstaffs Brothers
The painters James Pryde and William Nicholson were
brother-in-laws who opened an advertising design studio called The Beggarstaff
Brothers. This was one of the most remarkable moments in history of graphic
design. By cutting pieces of paper, moving them around and pasting them in
position on a board, they created flat planes of colour where the edges of the
shape were drawn with scissors. Unlike Art Nouveau, The Beggarstaff Brothers
forged a new beginning of design that focused on powerful coloured shapes and
silhouttes rather than organic and decorative form. The artistic work of The
Beggerstaff Brothers was a success but when it came to finance unfortunately they
were a disaster. They did attract a few clients but only a couple of their
designs were printed. The Beggarstaff Brothers only stayed together for three
short years. They were a commercial failure, as clients were not sure what to
make of these bold new images. But their designs became hugely influential with
artists in Europe and America.
Philip B. meggs. and Alston W. Purvis.eds., 2012. Meggs’ History of Graphic Design. Fifth Edition. Hoboken Canada: John Wiley & Sons,Inc pg 276
The above image was done by The Baggerstaffs Brothers in
1896 it was a poster for Don Quixote. The poster demonstrates bold outlines,
bold serif text and silhouette windmill in the background this created a visual
tension between positive and negative space. The cut paper shapes produced a
graphic image whose simplicity and technique were of their time. The poster was
never printed because the director/producer felt that the poster was bad
likeness of Quixote.
Philip B. meggs. and Alston W. Purvis.eds., 2012. Meggs’ History of Graphic Design. Fifth Edition. Hoboken Canada: John Wiley & Sons,Inc pg 277
Philip B. meggs. and Alston W. Purvis.eds., 2012. Meggs’ History of Graphic Design. Fifth Edition. Hoboken Canada: John Wiley & Sons,Inc pg 277
The above image is another poster by The Baggestaffs
Brothers the poster represents the main character, a knight and his faithful
horse. The lack of colour and the employment of simple
design elements did a remarkable job in conveniently keeping printing costs low
while still allowing the brothers to create powerful silhouette that let the
viewer use some imagination to visualize the blanks and even create a world
outside the lines of the picture. Philip B. meggs. and Alston W. Purvis.eds., 2012. Meggs’ History of Graphic Design. Fifth Edition. Hoboken Canada: John Wiley & Sons,Inc pg 277
A Gaiety Girl 1898
The above image is a poster done by Dudley Hardy who had
turned to poster and advertising design just like The Baggerstaffs Brothers.
Dudley Hardy had an effective formula for theatrical poster work:
- Bold Lettering and figure appear against simple background
- The figure and the play title standout dramatically against the flat red background.
Philip B. meggs. and Alston W. Purvis.eds., 2012. Meggs’ History of Graphic Design. Fifth Edition. Hoboken Canada: John Wiley & Sons,Inc pg 279
The poster designs in Europe during the first half of the 20th
century were mostly influenced by the Modern art movements such as Surrealism,
Cubism, and Dadaism. The designers were conscious of the need to use pictorial references
in their posters as a way to visually communicate more persuasively their
views. Influenced mostly by Cubism and constructivism, poster artists combined
expressive and symbolic images as well as total visual organization on picture
plane
References
Philip B. meggs. and Alston W. Purvis.eds., 2012. Meggs’ History of Graphic Design. Fifth Edition. Hoboken Canada: John Wiley & Sons,Inc.
Philip B. meggs. and Alston W. Purvis.eds., 2012. Meggs’ History of Graphic Design. Fifth Edition. Hoboken Canada: John Wiley & Sons,Inc.
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